bibliography

BIBLIOGRAPHY (selection)

paula roush, arphield-recordings-glowlab.pdf, glowlab issue 11, glowlab 2006

Armin Medosch, The Spychip Under Your Skin:RFID and the Tagged exhibition, Space Media Arts, October 2006 published online, read html here or download pdf: http://www.spacemedia.org.uk/files/Tagged_Essay.pdfRael Artel, Artists In Fieldwork: Anu Vahtra, Jaanus Samma, Paula Roush, Pilvi Takala. Maja, Estonian Architectural Review, Landscapes Issue, May 2006,Pp 39-43.

Katy Deepwell: KISSS revealed: Deej Fabyc, Paula Roush and Camilla Brueton on Kinship International Strategy on Surveillance and Suppression (KISSS), KT PRESS, n.paradoxa, Volume 17, Jan 2006: Journeys/order here

Louise Garrett, Infiltrate Estonia: SPACE PROTOCOL, Rael Artel Gallery, Parnu, Estonia 2005
Suhjung Hur, Annie On Ni Wan, Andrew Paterson, Locative Media, on and off the beaten track, LEA Locative Media Gallery, 2006

Katy Deepwell, KISSS revealed: Deej Fabyc, Paula Roush and Camilla Brueton, n.Paradoxa, vol.17 2006

Sara Raza: Art in Security and Security in Art-KISSS Kinship International Strategy on Surveillance and Suppression

Tadej Pogacar, Public Services, Catalogue Public Services exhibition, PavelHaus, October 2005

Martin Mcnamara, Evidently Biscuit Town, Southwark Life, issue 51 p.18 Feb-Mar 2005

Hattie Spires, The Crisis of Interpretation: An Investigation Into The Dynamics of Engagement with Site-Specific Art in the Age Of Squanto. Dissertation, Ma In Contemporary Art Theory, Goldsmiths College. September 2004. msdm Stenciled Papers, Date of Issue: January 2005

Joanna Callaghan, Go on! Have another one! True Review, December 2004

Sara Raza, Performance: Strategy And Process in The Work Of Adrian Piper, Lida Abdul, Sussan Dyhim, Reza Aramesh and Paula Roush. Notes for the Presentation Delivered at Artsadmin November 2004

Zeigam Azizov, POSTSCRIPT (Part One): Portuguese live art in the age of scripted reality: Teatro Praga, Cao Solteiro, Beatriz Cantinho and Valerio Romao, Rogerio Nuno Costa,November 2004

Heather Greig-Smith, Operation SOS:OK, Bermondsey, south London. Regeneration & Renewal, 5 November 2004, p8

Annie Kelly, Bermondsey takes the biscuit Former Peek Freen employees back community project The Guardian, Wednesday October 20, 2004

Will Pavia, Taking the biscuit Southwark Weekender 15 oct 2004

Alice Park, Current perspectives on the role of art in urban development. Do artistic interventions benefit a community? Art in Community Settings, Birkbeck College, University of London 2004, Published in SOS:OK guide, msdm publications 2004

Jaka Jeleznikar, interview with paula roush about ‘exercise sos:ok’ at gallery 74, Mladina, Ljubljana, September-October 2004

Boris Gorupic, Paula Roush, B B, deloskop 9.9-15.9.04

Tadeja Milek, preview segment on exercise sos:ok, Val 202 (Slovenia FM Radio) 06.09.04

Camelia Gupta, Artists’ work is perfectly placed, 24 hour museum, aug 2004

Paul Rhys, ‘Perfectly placed to enjoy the art of the people’, ICNetwork Aug 27 2004

Jessica Lack, “prefectly Placed-Preview’, The Guardian, August 7 2004

Zeigam Azizov, ‘when PhD becomes an art work…’ msdm stenciled papers, published for the exhibition Perfectly Placed, South London Gallery, date of issue: july 2004

Zeigam Azizov, Memory Factory at Coleman Project Space, Published in SOS:OK guide, msdm publications 2004

Will Pavia, Last week hundreds of people piled into a gallery in Bermondsey, Southwark News June 17 2004

Lúcia Marques, A Experiência da Cidade - Londres - 4 Perfis, Storm-magazine may-june 2004

Celso Martins, Balanco de Actividades Ar.Co – 25 anos a reinventar joalharia, Expresso April 3 2003

Axel Vogelsang, The Art Audience as User, PHD Research, Arts & Design, Central SaintMartins College, November 2003

Antje Mayer, Discount-Biennale. Kunst & Kultur July 2003

Antje Mayer, ‘Boycott - Prague Biennale I’, Kunst & Kultur, July 2003

Becky Shaw, ‘The Pernicious Nature of Opposition Chic’, The Static Pamphlet, Issue 03. 2004

Louis Armand, Prague Biennale , Artmargins 2003

Sarah Carrington and Sophie Hope, ‘A Revolt at the Door’ in B B (Ed.): Art of Survival London Artists Travel to Prague, poster publication 2003

Sarah Carrington and Sophie Hope,’The Art of Survival’. In Giancarlo Politi (Ed.): Prague Biennale1 Peripheries Become the Center, pp 506-514, Flash Art, Milan 2003
Paula Roush in Conversation with Ella Gibbs, Alasdair Hopwood, Barry Sykes and Sean Parfitt in The Art of Survival curated by B B (Sarah Carrington and Sophie Hope), Published in Politi, G. (Ed.), Prague Biennale1: peripheries become the center, Milan 2003, pp 506-515, 2003

Jonah Brucker-Cohen, J., ‘Report from RAM2: A Joker in the Global Bunker Workshop’,NOEMA Tecnologie e Società 2003

Jan Inge Reilstad, ‘From The White Cube to The Black Box to The Personal Computer and out in The Grey Wide Open – or How to Reapproach New Media. An Essay on the Postdigital Artscene.’ Localmotives.com 2003

Kandl, J., Kampfer fur’s Gluck, Kunstverein Ulm 2003

Zeigam Azizov, ‘Brand Ranking: Working in Between Consciousness and Conformity’. In Out/sourcing, msdm publications 2003

Melanie Keen, ‘Interview’. In Out/sourcing, msdm publications 2003

Eva Schmidt, ‘City Stripping’, GAK: Gesellschaft fur Aktuelle Kunst, Bremen 2001

Regina Bittner, ‘ Places Out of Images’, Urban Detours, Bauhaus Foundation, Dessau 2001

Kai Vockler, ‘Time and Space in Megalopolis’, The City Gallery, Prague 2001

Brian Holmes, Le mode de diffusion.PARACHUTE No.98(Avril, Mai et Juin) 2000

Jennifer Burnham, Women With Attitude, SMART, Issue 3, London 2000

Liz Farrelly, ‘Peckham Calling’. In ‘Blueprint’, July/ August 2000

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