3rd Dimension Magazine
Paradigm Store at Howick Place
23 October 2014
Paradigm Store, features works by seventeen UK and international artists. Strong themes of architecture and design run through the exhibition which explores issues of the decorative and the functional, through a range of site specific installations, large scale sculpture, paintings and film; many works have never been shown in the UK before.
(…) The viewer is immediately drawn in to paula roush’s complex, absorbing installation, ParticipatoryArchitectures (2014) which almost acts as a cri de coeur (fig.14). This work is based on the period after the coup d’état in Portugal in the early 1970s when there was a surge of utopian building projects and creativity. Then after the economic setbacks of 2008, Portugal began selling these communes to developers, effectively for land clearance. Here, laid out dispassionately on makeshift tables that span the room, are poignant photographs, objects and memorabilia that resonate with disillusionment. Roush’s bricks are a metaphor for construction /destruction and also challenge the government with rebellion. She creates individual collages of all forty-one houses on the Apeadeiro estate in southern Portugal, and with a bitter irony, wraps them in the same ribbon the government uses to fasten its official documents

Icon Magazine
Paradigm Store
4 November 2014
The area surrounding Victoria station in London is undergoing a £2bn makeover of which one of the professed goals is to transform it into a “cultural district”. To that end, the owners of 1-5 Howick Place – one of many office buildings that have sprung up in the area recently – have temporarily given over five of its six floors to art consultancy HS Projects, which has curated two exhibitions for the 80,000sq ft space: Interchange Junctions, which ran earlier this year and explored the themes of migration, trade and colonial struggle, and Paradigm Store, which ends this week.
The current show brings together new and recent work by 17 emerging and established artists that examines the blurred lines between art and design, decoration and function. The curators – Alistair Howick and Tina Sotiriadi – have taken full advantage of the vast space, spreading sculptures and installations sparsely across each floor with consideration of the architecture and consciousness of passers-by’s views into the building. (…) Other works explore global themes. paula roush’s Participatory Architecture, is a series of photos, documents and found objects relating to a now-threatened social housing development build in Portugal after the end of the Salazar dictatorship in the 1970s, when modernist architectural projects flourished.