Paintball Field was made during a residency in the ‘schist’ mountain villages of Portugal. The area has become depopulated and is now being developed as a destination for tourists. The title of the work refers to a local recreation area where visiting families come with their children to play war games using guns firing balls of paint. The photographs conjure up a hunting scene in which a female figure wearing a cork mask – resembling those that were used by the original villagers during carnival – is being pursued. More than a simple ironic take on violence and war, the work draws on ethnographic connotations, evoking a dramatic encounter between the rural traditions of the past and present-day cultural practices.
(3.06 billion cycles per second is the clock speed of the computer used to create the photoworks, expressed in gigahertz: 3.06 GHz. The computer is only one of the mediating elements in this practice, connected to capturing, editing, printing and publishing devices. An underlying trauma is the feeling of loss: emotional, social and technological. Loss of loved ones, lived spaces and computing power)
